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If one looks closely at life, one sees the same quality in humanity, in men and women, in books and pictures, and yet one cannot tell what goes to the making of it. It seems to be a thing which no energy or design can capture, but which alights here and there, blowing like the wind at will. It is not force or originality or inventiveness; very often it is strangely lacking in any masterful quality at all; but it has always just the same wistful appeal, which makes one desire to understand it, to take possession of it, to serve it, to win its favour. It is as when the child in Francis Thompson's poem seems to say, "I hire you for nothing." That is exactly it: there is nothing offered or bestowed, but one is at once magically bound to serve it for love and delight. There is nothing that one can expect to get from it, and yet it goes very far down into the soul; it is behind the maddening desire which certain faces, hands, voices, smiles excite--the desire to possess, to claim, to know even that no one else can possess or claim them, which lies at the root of half the jealous tragedies of life.

Then he walks away at once in silence, leaning on the arm of Theseus, and when at last the watchers dare to look, they see Theseus afar off, alone, screening his eyes with his hand, as if some sight too dreadful for mortal eyes had passed before him; but OEdipus is gone, and not with lamentation, but in hope and wonder. Even when Hamlet dies, and the peal of ordnance is shot off, it is to congratulate him upon his escape from unbearable woe; and that is the same in life. If our eye falls on the sad stories of men and women who have died by their own hand, how seldom do they speak in the scrawled messages they leave behind them as though they were going to silence and nothingness! It is just the other way. The unhappy fathers and mothers who, maddened by disaster, kill their children are hoping to escape with those they love best out of miseries they cannot bear; they mean to fly together, as Lot fled with his daughters from the city of the plain. The man who slays himself is not the man who hates life; he only hates the sorrow and the shame which make unbearable that life which he loves only too well. He is trying to migrate to other conditions; he desires to live, but he cannot live so. It is the imagination of man that makes him seek death; only the animal endures, but man hurries away in the hope of finding something better.


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