|
|
Commodore Directory 06
Page 03
Taken singly, I suppose that none of the figures in the chapel, except the Virgin's grandmother, should be rated very highly. The under-nurse is the next best figure, and might very well be Tabachetti's, for neither Giovanni d'Enrico nor Giacomo Ferro was successful with his female characters. There is not a single really comfortable woman in any chapel by either of them on the Sacro Monte at Varallo. Tabachetti, on the other hand, delighted in women; if they were young he made them comely and engaging, if they were old he gave them dignity and individual character, and the under-nurse is much more in accordance with Tabachetti's habitual mental attitude than with D'Enrico's or Giacomo Ferro's. Still there are only four figures out of the eleven that are mere otiose supers, and taking the work as a whole it leaves a pleasant impression as being throughout naive and homely, and sometimes, which is of less importance, technically excellent.
The first care of the male stickleback, when he has acquired his courting suit, is to build a suitable home for his future wives and children. So he picks up stems of grass and water-weeds with his mouth, and weaves them deftly into a compact nest as perfect as a bird's, though some what different in shape and pattern, it rather resembles a barrel, open at both ends, as though the bottom were knocked out: this form is rendered necessary because the eggs, when laid, have to be constantly aerated by passing a current of water through the nest as I shall describe hereafter. No. 1 shows us such a nest when completed, with the female stickleback loitering about undecided as to whether or not she shall plunge and enter it. You will observe that the fabric is woven round a fixed support of some waving water-weeds; but the cunning little architect does not trust in this matter to his textile skill alone; he cements the straws and other materials together with a gummy mortar of mucous threads secreted for the purpose by his internal organs.
|
